Optical view of Cairo - Mosque al-Ghawri - Fountain of the Lovers (Egypt)
Early XIXth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Basset in Paris circa 1820

Cairo

The area around present-day Cairo, especially Memphis that was the old capital of Egypt, had long been a focal point of Ancient Egypt due to its strategic location just upstream from the Nile Delta. However, the origins of the modern city are generally traced back to a series of settlements in the first millennium. Around the turn of the 4th century, as Memphis was continuing to decline in importance, the Romans established a fortress town along the east bank of the Nile. This fortress, known as Babylon, was the nucleus of the Roman and then the Byzantine city and is the oldest structure in the city today. It is also situated at the nucleus of the Coptic Orthodox community, which separated from the Roman and Byzantine churches in the late 4th century. Many of Cairo's oldest Coptic churches, including the Hanging Church, are located along the fortress walls in a section of the city known as Coptic Cairo.

Following the Muslim conquest in 640 AD, the conqueror Amr ibn As settled to the north of the Babylon in an area that became known as al-Fustat. Originally a tented camp Fustat became a permanent settlement and the first capital of Islamic Egypt.

In 750, following the overthrow of the Umayyad caliphate by the Abbasids, the new rulers created their own settlement to the northeast of Fustat which became their capital. This was known as al-Askar as it was laid out like a military camp.

A rebellion in 869 by Ahmad ibn Tulun led to the abandonment of Al Askar and the building of another settlement, which became the seat of government. This was al-Qatta'i, to the north of Fustat and closer to the river. Al Qatta'i was centred around a palace and ceremonial mosque, now known as the Mosque of ibn Tulun.

In 905, the Abbasids re-asserted control of the country and their governor returned to Fustat, razing al-Qatta'i to the ground.

The Optical View

The Galerie Napoléon is pleased to propose to you this strong water etching printed 204 years ago (around 1820).

As for all the antique prints in our catalogue, this optical view VUE DE LA FONTAINE DES AMANS ET MOSQUE ADJACENTE, (EGYPTE) datant de 1820 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1820).

In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.

History of the Optical views

At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).

Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.

There are three categories in the production of optical views.

• Topographic views: Cities, Monuments, Ports, Distant regions, reproduced with more or less accuracy, depending on the documents available to the engraver. It is obvious that the authors of these prints had not seen these territories. They therefore recomposed these landscapes by compiling various engravings and drawings, which explains many fantasies.
• The historical scenes : Inaugurations, Coronations, Battles, Fires or Natural disasters form a subject that the people are fond of.
• Views with a religious or moralizing theme. For educational value, these prints were mainly produced by Parisian publishers in the rue Saint-Jacques.

Our Guarantee

With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.

In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.

This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.

Free customization

Customize for free the color of your museum quality bevel cut edge passepartout (acid free & neutral pH) among a color chart of 23 shades.
This option will be offered to you free of charge in the cart.

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All our antiques can be shipped worldwide. The orders are dispatched within 24H in a secured packaging.

The Galerie Napoléon offers free shipping for all orders over 50EUR for France, 70EUR for all EU destinations and 90EUR for worldwide destinations.

For orders below these amounts, the shipping costs are 8EUR for France, 12EUR for all EU destinations and 17EUR for worldwide destinations.

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