Original title
9e Vue dela Maison de Ville et les Pompes pour eyeindre le Feu à Amsterdam - A View of the Stad House and the Engines for extingusting Fire
Mentions
Published according to Act of Parliament 1752
Description
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in London circa 1752, depicting a view of the Royal Palace of Amsterdam and the Fire Extinguishers (Holland).
During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.
These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.
Museums & Archives
The Bibliothèque nationale de France owns a copy of this optical view in its collections. For more details on this print please consult the site : 9e vue dela maison de ville et les pompes pour eyeindre le feu à amsterdam - a view of the stad house and the engines for extingusting fire
Condition report
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This strong water etching is listed in these categories :
The Royal Palace in Amsterdam is located on Dam, the city's main square. It is also known as Paleis op de Dam.
It was built between 1648 and 1665 by the architect Jacob van Campen to serve as a town hall.
The Paleis op de Dam remained the hotel from city hall of Amsterdam until 1808. On this date, Louis Bonaparte, king of Holland, chose to settle in Amsterdam, after having first stayed in The Hague and then in Utrecht. Major modifications were made before its installation. The galleries were divided by partitions and a balcony was added on the facade. The furniture is entirely replaced by Empire style. But despite these major works, the new king did not like Amsterdam in the end and he transformed it into a royal museum.
The Galerie Napoléon is pleased to propose to you this strong water etching printed 272 years ago (around 1752).
As for all the antique prints in our catalogue, this optical view 9e Vue dela Maison de Ville et les Pompes pour eyeindre le Feu à Amsterdam - A View of the Stad House and the Engines for extingusting Fire datant de 1752 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1752).
In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.
At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).
Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.
There are three categories in the production of optical views.
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