Galerie
Napoléon
- Paris - Collection of the Optical Views

Optical view of the Cathedral of Toledo (Spain)
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760

18th Century optical view in original watercolors of the Cathedral of Toledo (Spain)
Free Passepartout (available in 23 shades)
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176018th Century
  • Date : circa 1760
  • Century : 18th Century
  • Period : Louis XV
  • Technique : Strong water etching
  • Paper : Laid paper
  • Publisher : Jean-François Daumont
  • Place of publication : Paris
  • Passepartout : 50.0 x 65.0 cm
  • Sheet : 26.0 x 40.0 cm
  • Plate : 23.0 x 38.0 cm
  • Inventory N° : FR-03374
400€
(Frame not included)
  • Certificate of authenticity
  • Passepartout included
  • Portfolio exacompta
  • Free shipping costs
  • Shipment within 24H
  • Online tracking

Original title

Vue Perspective du Portail de l'Eglise Cathédrale de Tolède.

Mentions

à Paris chez Daumont rue St Martin

Description

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760, depicting a view of the Cathedral of Toledo (Spain).

During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.

These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.

Museums & Archives

The Bibliothèque nationale de France owns a copy of this optical view in its collections. For more details on this print please consult the site : Vue perspective du portail de l'eglise cathédrale de tolède.

Condition report

  • Fold mark
  • Stains on the right side

This strong water etching is listed in these categories :

Portal of Forgiveness of the Toledo Cathedral

The Primate Cathedral of Saint Mary of Toledo is a Roman Catholic church in Toledo, Spain.

The main façade has three portals, known as, respectively, Puerta del Perdón (Portal of Forgiveness, in the centre), Puerta del Juicio Final (Portal of the Last Judgment, to the right) and Puerta del Infierno (Portal of Hell, to the left).

The Portal of Forgiveness belongs to the 15th century—it was begun under the direction of Alvar Matinez in 1418. It is so called because indulgences were granted to penitents who entered through it. These days it is always closed and is used only on special occasions and upon the investiture of new archbishops of the primate cathedral. It has one great arch with six Gothic archivolts. The decoration consists of typical Gothic iconography, with the figure of the Saviour in the mullion and an apostolates in the jambs. In the tympanum, the Virgin gives the chasuble to Saint Ildephonsus, a particularly special theme for the cathedral which is repeated in the interior in the chapels and paintings. The leaves of the doors measure more than five meters in height and are covered by elaborately fashioned bronze plates, which date to the 14th century.

The Optical View

The Galerie Napoléon is pleased to propose to you this strong water etching printed 264 years ago (around 1760).

As for all the antique prints in our catalogue, this optical view Vue Perspective du Portail de l'Eglise Cathédrale de Tolède. datant de 1760 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1760).

In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.

History of the Optical views

At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).

Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.

There are three categories in the production of optical views.

  • Topographic views: Cities, Monuments, Ports, Distant regions, reproduced with more or less accuracy, depending on the documents available to the engraver. It is obvious that the authors of these prints had not seen these territories. They therefore recomposed these landscapes by compiling various engravings and drawings, which explains many fantasies.
  • The historical scenes : Inaugurations, Coronations, Battles, Fires or Natural disasters form a subject that the people are fond of.
  • Views with a religious or moralizing theme. For educational value, these prints were mainly produced by Parisian publishers in the rue Saint-Jacques.

Our Guarantee

With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.

In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.

This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.

Free customization

Customize for free the color of your museum quality bevel cut edge passepartout (acid free & neutral pH) among a color chart of 23 shades.
This option will be offered to you free of charge in the cart.

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Secured shipment

All our antiques can be shipped worldwide. The orders are dispatched within 24H in a secured packaging.

The Galerie Napoléon offers free shipping for all orders over 50EUR for France, 70EUR for all EU destinations and 90EUR for worldwide destinations.

For orders below these amounts, the shipping costs are 8EUR for France, 12EUR for all EU destinations and 17EUR for worldwide destinations.

Secured payment

  • Credit card secured by Paybox, european leader in the online payment (CB, Visa, Eurocard/Mastercard)
  • PayPal (American Express,..)
  • European bank transfer SEPA (IBAN/BIC/SWIFT)
  • Bank check (drawn on a french bank)
  • Invoice payment (Reserved for european public entities : Museums, National Archives, Ministries, Town Halls ...)

Related artworks

Galerie Napoléon

Toledo

Optical view of the Toledo Cathedral (Spain) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770

Optical view of the Toledo Cathedral (Spain)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770
Optical view of the Alcázar of Toledo (Spain) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760

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XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760
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XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1770
Portrait of Eleanor of Toledo (Agnolo Bronzino) - Portrait of a Young Man (Franciabigio) | Original helio-engraving on vellum paper after Agnolo Bronzino & Franciabigio. Anonymous. 1910

Portrait of Eleanor of Toledo (Agnolo Bronzino) - Portrait of a Young Man (Franciabigio)

Original helio-engraving on vellum paper after Agnolo Bronzino & Franciabigio. Anonymous. 1910
Saints - Fresco - XIIth Century - Cristo de la Luz - Toledo (Spain) | Original helio-engraving on vellum paper. Anonymous. 1910

Saints - Fresco - XIIth Century - Cristo de la Luz - Toledo (Spain)

Original helio-engraving on vellum paper. Anonymous. 1910
Spanish Typical Costume - Spain - Castile - Peasant of Toledo | Original wood engraving drawn by D. Maillart, engraved by C. Laplante. 1875

Spanish Typical Costume - Spain - Castile - Peasant of Toledo

Original wood engraving drawn by D. Maillart, engraved by C. Laplante. 1875

Spain

Optical view of the Castle of the King of Spain near of Madrid (Spain) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1780

Optical view of the Castle of the King of Spain near of Madrid (Spain)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1780
Optical view of Bilbao - Biscay (Spain) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1780

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XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1780
Optical view of the Royal Chancellery of Granada (Spain) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770

Optical view of the Royal Chancellery of Granada (Spain)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770
Optical view of the Toledo Cathedral (Spain) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770

Optical view of the Toledo Cathedral (Spain)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770
Optical view of the Seville Cathedral and the Casa Lonja (Spain) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770

Optical view of the Seville Cathedral and the Casa Lonja (Spain)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770
Optical view of the Buen Retiro Palace in Madrid (Spain) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760

Optical view of the Buen Retiro Palace in Madrid (Spain)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760

Castile-La Mancha

View of Toledo - Castile-La Mancha (Spain) | Original wood engraving engraved by Pannemaker. 1848

View of Toledo - Castile-La Mancha (Spain)

Original wood engraving engraved by Pannemaker. 1848
Cathedral of Toledo - Castile-La Mancha (Spain) | Original wood engraving engraved by Pannemaker. 1848

Cathedral of Toledo - Castile-La Mancha (Spain)

Original wood engraving engraved by Pannemaker. 1848
Hospital of Toledo - Castile-La Mancha (Spain) | Original wood engraving engraved by Pannemaker. 1848

Hospital of Toledo - Castile-La Mancha (Spain)

Original wood engraving engraved by Pannemaker. 1848
View of Toledo - Castile-La Mancha (Spain) | Original wood engraving drawn by Benoist, engraved by Laplante. Hand watercolored. 1875

View of Toledo - Castile-La Mancha (Spain)

Original wood engraving drawn by Benoist, engraved by Laplante. Hand watercolored. 1875
View of Toledo - Castile-La Mancha (Spain) | Original steel engraving drawn by Saunier, engraved by Saunier. 1835

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Original steel engraving drawn by Saunier, engraved by Saunier. 1835
Group of beggars near of Almuradiel - Castile-La Mancha (Spain) | Original wood engraving drawn by Gustave Doré, engraved by Fournier. Hand watercolored. 1874

Group of beggars near of Almuradiel - Castile-La Mancha (Spain)

Original wood engraving drawn by Gustave Doré, engraved by Fournier. Hand watercolored. 1874

Cathedral

Optical view of the St Giles Cathedral in Edinburgh (Scotland) | Early XIXth century optical view in original watercolors. Original strong water etching on laid paper heightened with watercolor at that time. Published by Basset in Paris circa 1830

Optical view of the St Giles Cathedral in Edinburgh (Scotland)

Early XIXth century optical view in original watercolors. Original strong water etching on laid paper heightened with watercolor at that time. Published by Basset in Paris circa 1830
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Optical view of St Paul's Cathedral in London (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Basset in Paris circa 1760
Optical view of the Toledo Cathedral (Spain) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770

Optical view of the Toledo Cathedral (Spain)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770
Optical view of the Seville Cathedral and the Casa Lonja (Spain) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770

Optical view of the Seville Cathedral and the Casa Lonja (Spain)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770
Optical view of The Cathedral Notre Dame de Paris (France) | Early XIXth century optical view in original watercolors. Original strong water etching heightened with watercolor at that time. Published by Basset in Paris circa 1830

Optical view of The Cathedral Notre Dame de Paris (France)

Early XIXth century optical view in original watercolors. Original strong water etching heightened with watercolor at that time. Published by Basset in Paris circa 1830
Optical view of the Choir of St Paul's Cathedral in London (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770

Optical view of the Choir of St Paul's Cathedral in London (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1770