Original title
Vue perspective du superbe Palais du comte Hoheit Margrave de Bareith à Erlang en Allemagne.
Mentions
A Paris chez Basset rue S. Jacques à Ste. Geneviève.
Description
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Basset in Paris circa 1760, depicting a view of Erlangen Schloss (Germany).
During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.
These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.
Museums & Archives
The Musée des beaux-arts (Bernay, France)na owns a copy of this optical view in its collections. For more details on this print please consult the site : Vue perspective du superbe palais du comte hoheit margrave de bareith à erlang en allemagne.
Condition report
Several accidents in the margins
Find more artworks related to these topics :
This strong water etching is listed in these categories :
Erlangen is a Middle Franconian city in Bavaria, Germany.
In the prehistory of Bavaria, the Regnitz valley already played an important role as a passageway from north to south. Due to the relatively barren soils in the area farming and settlements could only be detected at the end of the Neolithic (2800-2200 BC). The Erlangen Sign Stones, sandstone plates with petroglyphs, in the Mark-Forst north of the city also originated in this time period. The stone plates were later resused as grave borders in the Urnfield period (1200–800 BC).
In 1400, the prince-electors unelected. He sold his Frankish possessions, including Erlangen, to his brother-in-law, the Nuremberg burgrave Johann III due to lack of funds in 1402. During the process of division of the burggrave property in Franconia, Erlangen was added to the Upper Principality, the future Principality of Bayreuth. The Erlangen coining facility ceased its operation because the Münzmeister was executed for counterfeiting in Nuremberg.
After the Thirty Years' War, the town was rebuilt relatively quickly. On 2 December 1655 the parish church was consecrated to the title of Holy Trinity. The situation changed in 1685 when French king Louis XIV revoked the Edict of Nantes, which had granted Calvinist subjects, called Huguenots by their opponents, religious freedom since 1598. The revocation triggered a wave of refugees of about 180,000 Huguenots who settled mainly in the Dutch Republic, the British Isles, Switzerland, Denmark, Sweden and some German principalities. A small number of religious refugees later went to Russia and the Dutch and British colonies.
Margrave Christian Ernst also took advantage of this situation and offered the refugees the right to settle in his principality, which was still suffering from the consequences of the Thirty Years' War, in order to promote its economy in the sense of mercantilism through the settlement of modern trades. He was thus one of the first Lutheran princes in Germany to accept Calvinists into his country and even to guarantee them the freedom to practise their religion. The first six Huguenots reached Erlangen on 17 May 1686, about 1500 followed in several waves. In addition, several hundred Waldensians came, however, as they were unable to settle down they moved on in 1688. Even before it was foreseeable how many refugees could be expected, the margrave decided to found the new town of Erlangen as a legally independent settlement south of the small town called Altstadt Erlangen. The rational motive of promoting the economy of one's own country was associated with the hope of wealth as a city founder, which was typical of absolutism. The construction of the town began on 14 July 1686 with the laying of the foundation stone of the Huguenot Church. In the first year about 50 of the planned 200 houses were completed.
The Galerie Napoléon is pleased to propose to you this strong water etching printed 264 years ago (around 1760).
As for all the antique prints in our catalogue, this optical view Vue perspective du superbe Palais du comte Hoheit Margrave de Bareith à Erlang en Allemagne. datant de 1760 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1760).
In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.
At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).
Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.
There are three categories in the production of optical views.
With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.
In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.
This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.
Customize for free the color of your museum quality bevel cut edge passepartout (acid free & neutral pH) among a color chart of 23 shades.
This option will be offered to you free of charge in the cart.
All our antiques can be shipped worldwide. The orders are dispatched within 24H in a secured packaging.
The Galerie Napoléon offers free shipping for all orders over 50EUR for France, 70EUR for all EU destinations and 90EUR for worldwide destinations.
For orders below these amounts, the shipping costs are 8EUR for France, 12EUR for all EU destinations and 17EUR for worldwide destinations.