Galerie
Napoléon
- Paris - Collection of the Optical Views

Optical view of Marienplatz - Munich (Germany)
Early XIXth century optical view in original watercolors. Original strong water etching on laid paper heightened with watercolor at that time. Published by Basset in Paris circa 1830

19th Century optical view in original watercolors of Marienplatz - Munich (Germany)
Free Passepartout (available in 23 shades)
  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223
183019th Century
  • Date : circa 1830
  • Century : 19th Century
  • Period : Louis-Philippe Ier
  • Technique : Strong water etching
  • Paper : Laid paper
  • Publisher : Basset
  • Place of publication : Paris
  • Passepartout : 50.0 x 65.0 cm
  • Sheet : 32.0 x 47.0 cm
  • Plate : 25.0 x 40.0 cm
  • Inventory N° : FR-03478
600€
(Frame not included)
  • Certificate of authenticity
  • Passepartout included
  • Portfolio exacompta
  • Free shipping costs
  • Shipment within 24H
  • Online tracking

Original title

VUE DE LA GRANDE PLACE À MUNICH

Mentions

A Paris chez BASSET Rue St Jacques N° 64.

Description

Early XIXth century optical view in original watercolors. Original strong water etching on laid paper heightened with watercolor at that time. Published by Basset in Paris circa 1830, depicting a view of Marienplatz - Munich (Germany).

During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.

These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.

Condition report

Very good state

This strong water etching is listed in these categories :

Mary's Column

The Mariensäule is a Marian column located on the Marienplatz in Munich, Germany. Mary is revered here as Patrona Bavariae. It was erected in 1638 to celebrate the end of Swedish occupation during the Thirty Years' War, to be precise, following a respective vow by Duke Elector Maximilian I of Bavaria if the ducal residential cities of Munich and Landshut would be spared from war destruction. The column is topped by a golden statue of the Virgin Mary standing on a crescent moon as the Queen of Heaven, created in 1590. Mariensäule in Munich was the first column of this type built north of the Alps and inspired erecting other Marian columns in this part of Europe.

At each corner of the column's pedestal is a statue of a putto, created by Ferdinand Murmann. The four putti are each depicted fighting a different beast, symbolizing the city's overcoming of adversities: war represented by the lion, pestilence by the cockatrice, hunger by the dragon and heresy by the serpent.

The Optical View

The Galerie Napoléon is pleased to propose to you this strong water etching printed 194 years ago (around 1830).

As for all the antique prints in our catalogue, this optical view VUE DE LA GRANDE PLACE À MUNICH datant de 1830 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1830).

In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.

History of the Optical views

At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).

Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.

There are three categories in the production of optical views.

  • Topographic views: Cities, Monuments, Ports, Distant regions, reproduced with more or less accuracy, depending on the documents available to the engraver. It is obvious that the authors of these prints had not seen these territories. They therefore recomposed these landscapes by compiling various engravings and drawings, which explains many fantasies.
  • The historical scenes : Inaugurations, Coronations, Battles, Fires or Natural disasters form a subject that the people are fond of.
  • Views with a religious or moralizing theme. For educational value, these prints were mainly produced by Parisian publishers in the rue Saint-Jacques.

Our Guarantee

With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.

In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.

This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.

Free customization

Customize for free the color of your museum quality bevel cut edge passepartout (acid free & neutral pH) among a color chart of 23 shades.
This option will be offered to you free of charge in the cart.

  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223

Secured shipment

All our antiques can be shipped worldwide. The orders are dispatched within 24H in a secured packaging.

The Galerie Napoléon offers free shipping for all orders over 50EUR for France, 70EUR for all EU destinations and 90EUR for worldwide destinations.

For orders below these amounts, the shipping costs are 8EUR for France, 12EUR for all EU destinations and 17EUR for worldwide destinations.

Secured payment

  • Credit card secured by Paybox, european leader in the online payment (CB, Visa, Eurocard/Mastercard)
  • PayPal (American Express,..)
  • European bank transfer SEPA (IBAN/BIC/SWIFT)
  • Bank check (drawn on a french bank)
  • Invoice payment (Reserved for european public entities : Museums, National Archives, Ministries, Town Halls ...)

Related artworks

Galerie Napoléon

German

Decree - Louis XVI of France - 1791 - German, Irish and Liege Infantry Regiments | Portrait of Ladislas Ignace de Bercheny (1689-1778) | Decree N°1168 of the National Assembly with a large woodcut vignette dated 21 Juillet 1791

Decree - Louis XVI of France - 1791 - German, Irish and Liege Infantry Regiments | Portrait of Ladislas Ignace de Bercheny (1689-1778)

Decree N°1168 of the National Assembly with a large woodcut vignette dated 21 Juillet 1791
Decree - Louis XVI of France - 1791 - Compensation granted to the Princes of Germany | Portrait of Louis XV (1710-1774) | Decree N°1056 of the National Assembly with a large woodcut vignette dated 19 Juin 1791

Decree - Louis XVI of France - 1791 - Compensation granted to the Princes of Germany | Portrait of Louis XV (1710-1774)

Decree N°1056 of the National Assembly with a large woodcut vignette dated 19 Juin 1791
Decree - Louis XVI of France - 1791 - German, Irish and Liege Infantry Regiments | Portrait of Napoléon Bonaparte (Robert Lefevre) | Decree N°1168 of the National Assembly with a large woodcut vignette dated 21 Juillet 1791

Decree - Louis XVI of France - 1791 - German, Irish and Liege Infantry Regiments | Portrait of Napoléon Bonaparte (Robert Lefevre)

Decree N°1168 of the National Assembly with a large woodcut vignette dated 21 Juillet 1791
Optical view of the Augustinian Church in Augsburg (Germany) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1790

Optical view of the Augustinian Church in Augsburg (Germany)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1790
Optical view of Marienplatz in Munich (Germany) | Early XIXth century optical view in original watercolors. Original strong water etching heightened with watercolor at that time. Published by Basset in Paris circa 1830

Optical view of Marienplatz in Munich (Germany)

Early XIXth century optical view in original watercolors. Original strong water etching heightened with watercolor at that time. Published by Basset in Paris circa 1830

Marienplatz

Optical view of Marienplatz in Munich (Germany) | Early XIXth century optical view in original watercolors. Original strong water etching heightened with watercolor at that time. Published by Basset in Paris circa 1830

Optical view of Marienplatz in Munich (Germany)

Early XIXth century optical view in original watercolors. Original strong water etching heightened with watercolor at that time. Published by Basset in Paris circa 1830
View of Munich - Marienplatz - Mary's Square (Germany) | Hand watercolored print engraved by Dosso. 1885

View of Munich - Marienplatz - Mary's Square (Germany)

Hand watercolored print engraved by Dosso. 1885

Munich

Optical view of Marienplatz in Munich (Germany) | Early XIXth century optical view in original watercolors. Original strong water etching heightened with watercolor at that time. Published by Basset in Paris circa 1830

Optical view of Marienplatz in Munich (Germany)

Early XIXth century optical view in original watercolors. Original strong water etching heightened with watercolor at that time. Published by Basset in Paris circa 1830
Crystal Vases (Munich) | Original typogravure. Anonymous. 1877

Crystal Vases (Munich)

Original typogravure. Anonymous. 1877
Armchair - C. Schuh (Vienna) - Munich Exposition 1876 | Original typogravure. Anonymous. 1877

Armchair - C. Schuh (Vienna) - Munich Exposition 1876

Original typogravure. Anonymous. 1877

City Hall

Optical view of Oxford City Hall (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760

Optical view of Oxford City Hall (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760
Optical view of the City Hall of Amsterdam (Holland) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1760

Optical view of the City Hall of Amsterdam (Holland)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Lachaussée, Daumont & Basset in Paris circa 1760
Optical view of St Mary's College and Oxford City Hall (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Circa 1760

Optical view of St Mary's College and Oxford City Hall (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Circa 1760
Optical view of St Mary's College and Oxford City Hall (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Circa 1760

Optical view of St Mary's College and Oxford City Hall (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Circa 1760
Optical view of Frankfurt City Hall - Römer (Germany) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Basset in Paris circa 1760

Optical view of Frankfurt City Hall - Römer (Germany)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Basset in Paris circa 1760
Optical view of the courtyard of the City Hall in Paris in 1789 (France) | Early XIXth century optical view in original watercolors. Original strong water etching on laid paper heightened with watercolor at that time. Published by Edouard Hocquart in Paris circa 1840

Optical view of the courtyard of the City Hall in Paris in 1789 (France)

Early XIXth century optical view in original watercolors. Original strong water etching on laid paper heightened with watercolor at that time. Published by Edouard Hocquart in Paris circa 1840