Original title
La Place de S. Marce de Venise - Magnum S. Marci Spatium Venetiis - La Piazza S. Marco di Venezia - Der Marcus Platz zu Venedig.
Mentions
Description
Early XIXth century optical view in original watercolors. Original strong water etching on laid paper with watermark heightened with watercolor at that time engraved by J.J. Stelzer. Published by Georg Balthasar Probst in Augsburg circa 1840, depicting a view of St Mark's Square - Venice (Italy).
During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.
These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.
Condition report
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A first Doge's palace existed during the Republic of Venice. It was destroyed by a great fire in 976, which also destroyed the first St. Mark's Basilica.
After its reconstruction, the Doges of Venice lived there until 1797. This palace was for many centuries the seat of the administration. Legislative, executive and judicial powers were centralized there in the hands of the Doge. Until the 16th century, the palace housed the Venice prisons located under the roofs.
The Doge's Palace represents the greatest work of imagination in Venice. It is a success of the marriage of Gothic art and Renaissance art in a colorful decor. The construction of the palace began in the year 1340, under the direction of the architect Pietro Baseggio. He is surrounded by Filippo Calendario, a former stonecutter who has become an architect and sculptor.
The Galerie Napoléon is pleased to propose to you this strong water etching printed 184 years ago (around 1840).
As for all the antique prints in our catalogue, this optical view La Place de S. Marce de Venise - Magnum S. Marci Spatium Venetiis - La Piazza S. Marco di Venezia - Der Marcus Platz zu Venedig. datant de 1840 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1840).
In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.
At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).
Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.
There are three categories in the production of optical views.
With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.
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