Original title
Vue perspective d'une Maison de plaisance du Pape
Mentions
A Paris chez Jacques Chereau rue St Jacques au dessus de la Fontaine St Severin aux 2 colonnes n° 257.
Description
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1780, depicting a view of Apostolic Palace (Vatican City).
During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.
These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.
Museums & Archives
The Bibliothèque nationale de France owns a copy of this optical view in its collections. For more details on this print please consult the site : Vue perspective d'une maison de plaisance du pape
Condition report
Very good state
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This strong water etching is listed in these categories :
In the 5th century, Pope Symmaque built a pontifical palace close to the first St. Peter's basilica and which constitutes an alternative residence to the Lateran palace. A second fortified palace (used as defense against many rivals, in particular the Lordship of Florence, then the Ottoman Turks from the XIVth century) is commissioned by the pope Eugène III and modified by Innocent III in the XIIth century, it remains of this palace -fortress a tower at the corner of the courtyard of the Papagallo.
When they returned to Rome in 1377 after the interlude of the papacy of Avignon who saw the Roman city subjected to civil unrest and the 'abandonment of several Christian monuments, the popes stay at the Basilica of Sainte-Marie-Majeure, the Lateran palace having suffered two consecutive fires in 1307 and 1361. Pope Nicholas V has completely restored the old palace-fortress of Eugene III from 1447 to build a new building, the Vatican Palace.
The Galerie Napoléon is pleased to propose to you this strong water etching printed 244 years ago (around 1780).
As for all the antique prints in our catalogue, this optical view Vue perspective d'une Maison de plaisance du Pape datant de 1780 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1780).
In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.
At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).
Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.
There are three categories in the production of optical views.
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