Original title
3e. VUE D'OPTIQUE Representant La Vue de St Pierre de Rome - Prospectus Basilica Sti. Petri in Vaticano
Mentions
A Paris chez Daumont rue St Martin
Description
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1770, depicting a view of St. Peter's Basilica in Roma (Vatican City).
During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.
These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.
Condition report
No margin
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St. Peter's Basilica is a Renaissance-style church located in the Vatican City, the papal enclave located in the city of Rome.
Pope Julius' project was the subject of a competition. Donato Bramante's design was selected and the foundation stone was laid in 1506.
On the death of Pope Julius in 1513, Bramante was replaced by Giuliano da Sangallo and Fra Giocondo, both dead in 1515. Raphaël was confirmed architect of Saint-Pierre in 1514. The main change in his plan is the nave of five bays, with a row of complex apse chapels off the aisles on each side.
In 1520, Raphaël died aged 37; his successor, Baldassarre Peruzzi, maintained the changes that Raphael had proposed for the interior arrangement of the three main apses, but made other modifications, approaching the plan in Greek cross and other details of the plan of Bramante. In 1527, Rome was looted by Emperor Charles V. Peruzzi died in 1536 without seeing the completion of his plan. In January 1547, under the reign of Pope Paul III, Michelangelo succeeds Sangallo the Younger. He took over a site where four huge pillars rose behind the remaining nave of the old basilica. Its dome, like that of Florence, is constructed of two brick shells, the outer one having 16 stone ribs. As with the drawings by Bramante and Sangallo, the dome is lifted from the stacks on a drum. The surrounding peristyle of Bramante and the arcade of Sangallo are reduced to 16 pairs of Corinthian columns connected by an arch.
The Galerie Napoléon is pleased to propose to you this strong water etching printed 254 years ago (around 1770).
As for all the antique prints in our catalogue, this optical view 3e. VUE D'OPTIQUE Representant La Vue de St Pierre de Rome - Prospectus Basilica Sti. Petri in Vaticano datant de 1770 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1770).
In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.
At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).
Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.
There are three categories in the production of optical views.
With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.
In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.
This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.
Customize for free the color of your museum quality bevel cut edge passepartout (acid free & neutral pH) among a color chart of 23 shades.
This option will be offered to you free of charge in the cart.
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