Galerie
Napoléon
- Paris - Collection of the Optical Views

Optical view of Dresden (Germany)
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760

18th Century optical view in original watercolors of Dresden (Germany)
Free Passepartout (available in 23 shades)
  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223
176018th Century
  • Date : circa 1760
  • Century : 18th Century
  • Period : Louis XV
  • Technique : Strong water etching
  • Paper : Laid paper
  • Publisher : Jean-François Daumont
  • Place of publication : Paris
  • Passepartout : 50.0 x 65.0 cm
  • Sheet : 28.0 x 41.0 cm
  • Plate : 26.0 x 40.0 cm
  • Inventory N° : FR-03708
500€
(Frame not included)
  • Certificate of authenticity
  • Passepartout included
  • Portfolio exacompta
  • Free shipping costs
  • Shipment within 24H
  • Online tracking

Original title

Vue perspective de la Ville de Dresde.

Mentions

A Paris chez Daumont rue St. Martin.

Description

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1760, depicting a view of Dresden (Germany).

During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.

These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.

Condition report

A restoration in the lower left angle (1cm)

This strong water etching is listed in these categories :

Dresden

Archaeological remains suggest a human presence from the Stone Age. Dresden was mentioned for the first time in documents preserved in 1206 and became the electoral residence, later royal and the capital of the Saxon republics.

The Optical View

The Galerie Napoléon is pleased to propose to you this strong water etching printed 264 years ago (around 1760).

As for all the antique prints in our catalogue, this optical view Vue perspective de la Ville de Dresde. datant de 1760 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1760).

In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.

History of the Optical views

At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).

Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.

There are three categories in the production of optical views.

  • Topographic views: Cities, Monuments, Ports, Distant regions, reproduced with more or less accuracy, depending on the documents available to the engraver. It is obvious that the authors of these prints had not seen these territories. They therefore recomposed these landscapes by compiling various engravings and drawings, which explains many fantasies.
  • The historical scenes : Inaugurations, Coronations, Battles, Fires or Natural disasters form a subject that the people are fond of.
  • Views with a religious or moralizing theme. For educational value, these prints were mainly produced by Parisian publishers in the rue Saint-Jacques.

Our Guarantee

With more than 20 years experience and a catalogue of more than 40.000 antique prints, drawings and historical documents dating from the 14th to the 19th century, the Galerie Napoléon, parisian antique dealer's gallery, is one of the world references in the field of antique prints,etchings and antique graphic arts.

In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.

This experience allows us to guarantee to each one of our customers the authenticity of the antiques in our catalogue and the shipment of their orders within 24 hours.

Free customization

Customize for free the color of your museum quality bevel cut edge passepartout (acid free & neutral pH) among a color chart of 23 shades.
This option will be offered to you free of charge in the cart.

  • 201
  • 202
  • 203
  • 204
  • 205
  • 206
  • 207
  • 208
  • 209
  • 210
  • 211
  • 212
  • 213
  • 214
  • 215
  • 216
  • 217
  • 218
  • 219
  • 220
  • 221
  • 222
  • 223

Secured shipment

All our antiques can be shipped worldwide. The orders are dispatched within 24H in a secured packaging.

The Galerie Napoléon offers free shipping for all orders over 50EUR for France, 70EUR for all EU destinations and 90EUR for worldwide destinations.

For orders below these amounts, the shipping costs are 8EUR for France, 12EUR for all EU destinations and 17EUR for worldwide destinations.

Secured payment

  • Credit card secured by Paybox, european leader in the online payment (CB, Visa, Eurocard/Mastercard)
  • PayPal (American Express,..)
  • European bank transfer SEPA (IBAN/BIC/SWIFT)
  • Bank check (drawn on a french bank)
  • Invoice payment (Reserved for european public entities : Museums, National Archives, Ministries, Town Halls ...)

Related artworks

Galerie Napoléon

Germany

Decree - Louis XVI of France - 1791 - Compensation granted to the Princes of Germany | Portrait of Louis XV (1710-1774) | Decree N°1056 of the National Assembly with a large woodcut vignette dated 19 Juin 1791

Decree - Louis XVI of France - 1791 - Compensation granted to the Princes of Germany | Portrait of Louis XV (1710-1774)

Decree N°1056 of the National Assembly with a large woodcut vignette dated 19 Juin 1791
Optical view of the Augustinian Church in Augsburg (Germany) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1790

Optical view of the Augustinian Church in Augsburg (Germany)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1790
Optical view of Marienplatz in Munich (Germany) | Early XIXth century optical view in original watercolors. Original strong water etching heightened with watercolor at that time. Published by Basset in Paris circa 1830

Optical view of Marienplatz in Munich (Germany)

Early XIXth century optical view in original watercolors. Original strong water etching heightened with watercolor at that time. Published by Basset in Paris circa 1830
Optical view of the horse market at Frankfurt am Main (Germany) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1770

Optical view of the horse market at Frankfurt am Main (Germany)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jean-François Daumont in Paris circa 1770
Optical view of the Market Place at Frankfurt am Main (Germany) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Lachaussée & Daumont in Paris circa 1770

Optical view of the Market Place at Frankfurt am Main (Germany)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Lachaussée & Daumont in Paris circa 1770
Optical view of the wine market in Augsburg (Germany) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Basset in Paris circa 1760

Optical view of the wine market in Augsburg (Germany)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Basset in Paris circa 1760

Elbe

Cavalry Battle (Philips Wouwerman) - The Departure for the Walk with Horse (Aelbert Cuyp) | Original helio-engraving on vellum paper after Philips Wouwerman & Aelbert Cuyp. Anonymous. 1910

Cavalry Battle (Philips Wouwerman) - The Departure for the Walk with Horse (Aelbert Cuyp)

Original helio-engraving on vellum paper after Philips Wouwerman & Aelbert Cuyp. Anonymous. 1910
View of Dordrecht in Holland (Aelbert Cuyp) | Original helio-engraving on vellum paper after Aelbert Cuyp. Anonymous. 1910

View of Dordrecht in Holland (Aelbert Cuyp)

Original helio-engraving on vellum paper after Aelbert Cuyp. Anonymous. 1910
Assumption of Mary - The Last Supper (Albert - Aelbert - Aelbrecht Bouts) | Original heliogravure on vellum paper. Anonymous. 1910

Assumption of Mary - The Last Supper (Albert - Aelbert - Aelbrecht Bouts)

Original heliogravure on vellum paper. Anonymous. 1910
Crucifixion of Jesus  (Albert - Aelbert - Aelbrecht Bouts) | Original heliogravure on vellum paper. Anonymous. 1910

Crucifixion of Jesus (Albert - Aelbert - Aelbrecht Bouts)

Original heliogravure on vellum paper. Anonymous. 1910
Jesus and Simon the Pharisee - Nativity (Albert - Aelbert - Aelbrecht Bouts) | Original heliogravure on vellum paper. Anonymous. 1910

Jesus and Simon the Pharisee - Nativity (Albert - Aelbert - Aelbrecht Bouts)

Original heliogravure on vellum paper. Anonymous. 1910

Dresden

Optical view of the Royal Catholic Church at Dresden - Marienbrücke (Germany) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Georg Balthasar Probst in Augsburg circa 1760

Optical view of the Royal Catholic Church at Dresden - Marienbrücke (Germany)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Georg Balthasar Probst in Augsburg circa 1760
Optical view of Dresden (Germany) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1780

Optical view of Dresden (Germany)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1780
Napoleonic Wars - The Battle of Dresden - Death of Moreau (1813) | Original steel engraving drawn and engraved by Couché Fils. 1820

Napoleonic Wars - The Battle of Dresden - Death of Moreau (1813)

Original steel engraving drawn and engraved by Couché Fils. 1820
Art Nude - Sleeping Venus or Dresden Venus (Giorgione) - The Venus of Urbino (Titian) | Original helio-engraving on vellum paper after Giorgione & Titian. Anonymous. 1910

Art Nude - Sleeping Venus or Dresden Venus (Giorgione) - The Venus of Urbino (Titian)

Original helio-engraving on vellum paper after Giorgione & Titian. Anonymous. 1910
History of Napoleon Bonaparte - Napoleonic Wars - The Battle of Dresden - Death of Moreau (1813) | Original wood engraving drawn by A. Raffet, engraved by Quartley. [tiré à part]. 1839

History of Napoleon Bonaparte - Napoleonic Wars - The Battle of Dresden - Death of Moreau (1813)

Original wood engraving drawn by A. Raffet, engraved by Quartley. [tiré à part]. 1839
View of Dresden - Elbe (Germany) | Original wood engraving engraved by Whymper. Extract of the first edition of Voyage en Europe du Nord. Narrow margins. 1892

View of Dresden - Elbe (Germany)

Original wood engraving engraved by Whymper. Extract of the first edition of Voyage en Europe du Nord. Narrow margins. 1892

Bridge

Optical view of the Bridge and the Port of Beijing (China) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1760

Optical view of the Bridge and the Port of Beijing (China)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1760
Optical view of the Stone Bridge in Rouen (France) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1780

Optical view of the Stone Bridge in Rouen (France)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1780
Optical view of Westminster Bridge in London (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1780

Optical view of Westminster Bridge in London (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1780
Optical view of Westminster Bridge in London (England) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Circa 1760

Optical view of Westminster Bridge in London (England)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Circa 1760
Optical view of the Torre del Oro and the Guadalquivir Bridge in Seville (Spain) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jacques-Gabriel Huquier in Paris circa 1760

Optical view of the Torre del Oro and the Guadalquivir Bridge in Seville (Spain)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published by Jacques-Gabriel Huquier in Paris circa 1760
Optical view of Tiberius Bridge in Rimini (Italy) | XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1780

Optical view of Tiberius Bridge in Rimini (Italy)

XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published by Jacques Chéreau in Paris circa 1780