Original title
Vue Perspective du Palais Royal du côté du Jardin.
Description
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper with watermark heightened with watercolor at that time. Published in Paris circa 1780, depicting a view of Palais-Royal in Paris (France).
During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.
These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.
Museums & Archives
The Bibliothèque nationale de France owns a copy of this optical view in its collections. For more details on this print please consult the site : Vue perspective du palais royal du côté du jardin.
Condition report
This optical view is extracted from a series of several views mounted end to end. This roller was intended to be used in an boîte d’optique (optical box) fitted with a crank in order to scroll through the images. These views are devoid of margins, numbered (labels or traces of labels in the upper part) and most often include some vestiges of the mounting on the back (strips of paper or fabric glued).
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Built by Richelieu in 1628, north of the Palais du Louvre, the Palais-Cardinal, given to King Louis XIII in 1636, served as a residence for Louis XIV as a child during the Fronde troubles and became the Palais-Royal.
Richelieu bought in 1624 the Hôtel de Rambouillet and then undertakes, by calling on the architect Jacques Lemercier, the expansion and transformation of the hotel into a veritable palace with sumptuous apartments and a theater which will remain the most beautiful in Paris for a long time.
Richelieu gave his palace to the king, by act of donation in 1636. The act of donation stipulated that the hotel would forever remain inalienable to the crown, the decisive cause of the donation being that the building served as accommodation to the king or heir to the crown, to the exclusion of any other person.
The regent Anne of Austria settled there from 1643 to 1652, leaving the inconvenient apartments of the Louvre, to enjoy the garden where can play young Louis XIV and his brother. The Palais-Cardinal becomes the Palais-Royal.
The Regency is the golden age of the Palais-Royal which becomes from 1715 to 1723 the heart of political and artistic life and then supplants Versailles. Regent Philippe d'Orléans, nephew of Louis XIV, resides there and has the palace transformed by his first architect, Oppenord, one of the main creators of the rock style. Patron and great collector, the Regent brings together more than five hundred works by famous painters at the Palais-Royal. Official festivals and gallant dinners follow one another. In order to provide the water necessary to extinguish any fires, the Palais Royal water tower was built between 1714 and 1719 on the Place du Palais-Royal.
The Galerie Napoléon is pleased to propose to you this strong water etching printed 244 years ago (around 1780).
As for all the antique prints in our catalogue, this optical view Vue Perspective du Palais Royal du côté du Jardin. datant de 1780 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1780).
In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.
At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).
Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.
There are three categories in the production of optical views.
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