Original title
Quay de Miramion, ou l'on voit dans l'éloignement l'Hôtel de Ville, St. Jean en Grève, St. Gervais, et le Pont Rouge.
Description
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published in Paris circa 1780, depicting a view of Notre Dame Cathedral and the Pont Rouge in Paris (France).
During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.
These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.
Museums & Archives
The Bibliothèque nationale de France owns a copy of this optical view in its collections. For more details on this print please consult the site : Quay de miramion, ou l'on voit dans l'éloignement l'hôtel de ville, st. jean en grève, st. gervais, et le pont rouge.
Condition report
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Notre-Dame de Paris is a medieval Catholic cathedral on the Île de la Cité in Paris. The cathedral was consecrated to the Virgin Mary and considered to be one of the finest examples of French Gothic architecture. Its pioneering use of the rib vault and flying buttress, its enormous and colourful rose windows, as well as the naturalism and abundance of its sculptural decoration set it apart from the earlier Romanesque style. Major components that make Notre Dame stand out include one of the world's largest organs and its immense church bells.
The cathedral's construction began in 1160 under Bishop Maurice de Sully and was largely complete by 1260, though it was modified frequently in the following centuries. In the 1790s, Notre-Dame suffered desecration during the French Revolution.
Thirteen of the grands mays remain in Nôtre Dame.
The Galerie Napoléon is pleased to propose to you this strong water etching printed 244 years ago (around 1780).
As for all the antique prints in our catalogue, this optical view Quay de Miramion, ou l'on voit dans l'éloignement l'Hôtel de Ville, St. Jean en Grève, St. Gervais, et le Pont Rouge. datant de 1780 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1780).
In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.
At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).
Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.
There are three categories in the production of optical views.
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