Original title
Vue du Serail du Grand Seigneur ou la Grande Sultane fait sa demeure ; Pris du coté du Jardin a Constantinople.
Description
XVIIIth century optical view in original watercolors. Original copper plate engraving on laid paper heightened with watercolor at that time. Published in Paris circa 1780, depicting a view of Seraglio of the Topkap? Palace in Constantinople (Turkey).
During the 18th Century, several renowned establishments in Paris, London (England), Augsburg (Germany) and Bassano (Italy) were specialized in the creation of these optical views. They could be viewed alone or through a zograscope, a wooden foot surmounted by a lens which enlarged the image and accentuated the perspective effect. They could also be placed in optical boxes, the spectator then looked inside the box through the lens. This distraction was greatly appreciated in the 18th Century in the salons of the bourgeoisie and the nobility as in the countryside thanks to the hawkers.
These etchings are nowadays exhibited in museums around the world and extremely appreciated by collectors and decorators for their historical interest and their high decorative value.
Museums & Archives
The Bibliothèque nationale de France owns a copy of this optical view in its collections. For more details on this print please consult the site : Vue du serail du grand seigneur ou la grande sultane fait sa demeure ; pris du coté du jardin a constantinople.
Condition report
This optical view is extracted from a series of several views mounted end to end. This roller was intended to be used in an boîte d’optique (optical box) fitted with a crank in order to scroll through the images. These views are devoid of margins, numbered (labels or traces of labels in the upper part) and most often include some vestiges of the mounting on the back (strips of paper or fabric glued).
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From 1465 to 1853, the Topkapi Palace was the main and official urban residence of the Ottoman Sultan. The palace is built on the site of the acropolis of ancient Byzantium. It dominates the Golden Horn, the Bosphorus and the Sea of Marmara.
Construction begins in 1459, under Sultan Mehmed II, conqueror of Byzantine Constantinople. Subsequently, the imperial palace underwent numerous expansions, including the construction of the harem during the 16th century.
The harem was the residence of the Sultan's mother, the Sultane Valide, concubines and Sultan's wives, and the rest of his family and their servants.
The Galerie Napoléon is pleased to propose to you this strong water etching printed 244 years ago (around 1780).
As for all the antique prints in our catalogue, this optical view Vue du Serail du Grand Seigneur ou la Grande Sultane fait sa demeure ; Pris du coté du Jardin a Constantinople. datant de 1780 is dispatched worldwide within 24H in a Secured packaging, accompanied by its certificate of authenticity guaranteeing the name of the artists (draughtsman, engraver, editor), the impression process used (Strong water) and its date (1780).
In order to guarantee a perfect conservation in time, this strong water etching is dispatched, ready to be framed, under museum quality color passepartout (manufactured without acid in the pulp for a neutral pH) on a cream mountboard made from carton bois (also acid free & neutral pH), in a luxurious portfolio.
At the apogee of the mode for optical views, between 1750 and 1790, four European cities specialized in their edition: Paris (France), London (England), Augsburg (Germany) and Bassano (Italy).
Optical views are prized in very different social circles : pleasant recreation in aristocratic salons, the views are admired in beautiful and richly decorated optical boxes which are real works of art. The show was transformed into a real scientific experiment. But the optical views also entertained the people who were in a hurry when a hawker set up a box on a market and began to narrate the extraordinary events that had taken place in a more or less distant and inaccessible country.
There are three categories in the production of optical views.
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In addition to thousands of impassioned of antique prints throughout the world, the Galerie Napoléon is honoured to count among its customers : national archives, museums, historical monuments and important home designer companies. All attracted by the extraordinary diversity of its catalogue and the quality and speed of its services.
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